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A Blog by Matt Love
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August 3, 2026

Ode to Don, the Dog Park Dumpmaster

Matt Love NSP Meditations, Poetry

Every dog park needs a Dumpmaster like Don,

to sheriff scofflaws and scalawags

who don’t scrub up after their canines.

So how about some doggerel

to celebrate Don this Christmas?

Nothing like a poem about dog shit

to make the season merry and bright.

Oh, what scatological obsession!

Oh, what eagle eyes!

Oh, what selfless citizenship!

Oh, what hatred for Ronald Reagan!

Oh, what loathing of the Oregon Ducks.

Oh, what vocabulary!

Miscreant, misanthrope, mellifluous, malaise, mendacity.

You haven’t lived until you’ve heard Don

give a running commentary if a dog has the runs.

He really needs his own TikTok dog shitting channel.

The kids would dig it.

I mean, Don writes haikus about dogs taking dumps

IN REAL TIME!

Top that Emily Dickinson!

(Note to poet: Consider writing a poem about Emily Dickinson picking up her dog Carlo’s dumps. He was a Newfoundland!)

If you visit the dog park,

you best pay attention to your mutt’s anus

or Don will bark,

but he’s like Old Yeller;

he won’t bite.

He’ll even pick up a dump for free

and not list it in the ledger.

And don’t you dare wish for a white Christmas!

It would ruin all the fun at the dog park for Don.

He likes the hunt.

August 2, 2026

Two Herons

Matt Love NSP Meditations, Poetry

Who are you?

Are you for real?

What is real?

Are you flying out here,

to the Oregon Coast?

Surely it will rain if you do.

Yes, rain!

Oregon, give it to Kat hard.

(Oregon did, 12 inches in three days. She lost her mind.)

You are a woman of the sun,

privileged, rich.

I am a man of rain,

marginalized, impoverished.

But, we both live as herons

and we’ll find a common estuary in that.

Herons, always alone,

gawky, undulating, prehistoric flight.

I could watch herons fly forever.

Will you strike your heron pose for me?

I want to write a noir story

where a woman strikes a heron pose

before she seduces a man, then murder.

Yes, she’s on acid, too, like you always are.

We will drive up a magic river gorge

and look for herons.

We’ll park and walk out to the gravel bar.

We’ll put our heads together

and conjure herons to join us.

You’ll wade in a few feet.

strike the pose.

I know at least one heron will appear.

Of course you are already one,

so that makes two.

August 1, 2026

Oregon Coast Wild in the Pandemic

Matt Love NSP Meditations, Poetry

The Pandemic struck, many died.

Some learned how to live better,

then promptly forgot everything

once liberation arrived,

like how politicians praised

hero service from the front line

but wouldn’t raise their minimum wage.

She drove from the High Desert,

over the Cascades, over the Coast Range,

to ride out five summer days of the plague

in my 42-year old Winnebago with an 8-track player

marooned in a disheveled RV park

where most of the residents

believed everything a hoax, conspiracy

and survived on socialism.

I hadn’t seen her in a decade,

the last time,

a sunset inside an obelisk

on the Yaquina Bay Bridge

for sensual sunset shenanigans.

The ex watched their four kids,

third daughter probably mine,

likely conceived inside

a bizarre, glass, cedar house

crooked on stilts

overlooking the Pacific.

We met at the Nesika Market,

bought two bottles of red wine,

walked to a beach

where gold bugs prospected a creek,

meth miscreants scaled cliffs

to carve nonsense in the clay,

and a homeless man lived in a cave.

We drank wine,

built a driftwood fort,

toasted to LOVE,

which happened to be both

our real last names.

We hiked Humbug Mountain and performed acrobatics on a bench.

We stepped across Pistol River where it meets the ocean. River otters watched us.

I spray painted a stencil of a beaver on her baseball shirt.

We barbecued salmon caught earlier that morning.

We drove the curvy road to Agness and stayed in a cabin above the Rogue River.

I broke out the guitar around a fire and played my song Organic Oregonian:

Got hippie blood in my veins

I key cars with California plates

love Ken Kesey and Steve Prefontaine

never see the sun and never complain

We explored the Elk River way up in the watershed.

She slipped off shoes, rolled up pants,

waded in slack current

as beaverwood floated downstream.

I watched her from a drift log on the opposite bank.

She forded the river,

approached me,

grabbed my belt,

wrenched freedom.

I wrote a country song about it,

a classic only we ever heard.

We watched a Jane Russell movie marathon on TCM.

It was just the five of us: me, her, Jane Russell, Jane Russell’s tits.

We read stories aloud.

She pissed in the woods during a drizzle.

She showed me how to apply for Pandemic unemployment benefits.

We roped down to a secret beach in Samuel Boardman State Park.

We meandered up a trail alongside the Illinois River holding hands.

“Keep on comin’ covid!”

she would redneck hoot and holler

when the moment called for it.

She didn’t want to return to the desert.

Her eyes watching the Rogue River run said that.

She had to leave.

A wildfire on the McKenzie River destroyed her family’s business.

Her oldest daughter attempted suicide.

We didn’t survive.

Nothing Oregon Coast gold can stay.

July 31, 2026

I Want Kitty Back

Matt Love NSP Correspondents, Poetry

At Mall 101 in Depoe Bay,

an American flag flies between two signs:

Red-lettered “Art.”

Blue-lettered “Liquor.”

Guess which store remains open when leisure haunts the Oregon Coast?

Super Bowl Sunday tomorrow.

Bruce Springsteen plays live.

“Born to Run” or “Born in the USA?”

Or both?

I wish he’d play “Kitty’s Back,”

stop American time

like a shotgun spread to the face,

send the market crashing

on Super Hangover Monday

when mediocre high school history teachers

come down with the flu

and roll video of when America

kept on rockin’ in the free world,

and later end the academic year

without teaching about the Freedom Rides

or the massacre at My Lai.

Don’t give them “Glory Days” Bruce!

Give them “Jungleland,” one song, that’s it.

July 30, 2026

Three Oregon City Poems

Matt Love NSP Meditations, Poetry

Saturday Night Fever by Jim Harrison

My date for opening night

of Saturday Night Fever

at sold out Southgate Theater,

an eighth grader named

after a queen in the Old Testament

Wavy brown hair

past her shoulders,

a long chiseled schnoz,

gorgeous trademark

a mother would

surely amputate today.

Lissome,

long distance runner’s body.

A long distance runner,

mediocre,

but I always watched her

finish her races on the cinder track.

Parents dropped off four junior high couples,

left to drink, smoke, carouse

in a Chinese joint.

Movie rated R,

how did we get in?

It was 1977, that’s how.

Couples scattered.

The queen and I sat

in the front row,

the only time I have sat

in the front row of a movie theater.

She wore a loose, silky,

vertically-striped shirt,

white, mauve, violet,

reaching a millimeter below her navel,

top two buttons unbuttoned,

bottom two buttons unbuttoned.

When she leaned back in the seat,

angled upward to the screen,

shirt slithered.

I saw her stomach,

flat, soft, soon lit by strobe lights

flashing in the disco

where Tony tore it up.

She held a jumbo box of popcorn.

Cup of Coke rested on the sticky floor.

The opening sequence,

the greatest one in American cinematic history,

began.

I placed my right hand on the stomach.

I felt heat, perspiration.

Her breathing changed,

stomach twitched;

she didn’t look at me.

The opening was that great.

My hand remained there the entire movie,

(I hated popcorn, never drank Coke.)

gravitated upward once, not very far,

never downward.

We were in the front row after all,

surrounded by adults

who didn’t give a shit then.

We couldn’t make out in dark corners

or empty balconies,

like we always did in the weekend matinees.

I never saw a frame of Superman or Heaven Can Wait.

Why am I writing this poem about an incident

that occurred in a now razed theater a half century ago,

the paradise they paved over to put up a parking lot?

Because I was reading a novella by Jim Harrison

and the incident slithered through my mind

like her shirt did that night.

Jim Harrison’s fiction makes you recall such moments,

and he deserves a poem in the afterlife about Saturday Night Fever

inspired by his immortal writing

describing the fabrics that once clothed female bodies.

First Journal

One of those useless in-service days for Oregon City teachers.

No school Friday for sophomores in the fall of 1979.

My mom was a teacher,

so no one home.

She came over, the rally girl

with long, brown, feathered hair,

endless curious eyes,

curves like the Clackamas River.

I think we’d been going out for two weeks.

We retired to my tiny downstairs bedroom

and its appointment: Sports Illustrated covers stapled to the walls, ceiling,

Dallas Cowboy comforter,

junior high sports trophies,

piggy bank,

my beagle snoozing on the rug.

A kid’s room.

She noticed my journal,

the classic black and white composition book,

resting on my desk, open.

I had started the first journal of my life,

an irritating requirement for Beginning Journalism,

on the first day of school two months ago.

She was intrigued.

She’d never known

anyone who kept a journal.

She wanted to read it!

I had material about her!

I said yes.

She wore blue disco jeans,

and a red hooded sweatshirt

over a white bra.

Shoes?

We tumbled down on my twin bed

The first girl ever on that bed.

We began making out.

She directed my hands under the sweatshirt.

I explored.

The slats snapped, crackled, popped.

We fell with the mattress to the floor.

The beagle never woke up.

We laughed as we untangled our bodies from the bedding.

How was I going to tell my mother about the broken bed?

She wasn’t ready for that.

She still isn’t.

The rally girls left and took my journal home for the weekend.

I walked to a construction site across the street.

I didn’t see any workers around.

I sneaked into the house,

stole scrap wood,

brought boards home,

measured,

whipped out a saw,

sawed,

replaced the slats,

righted the mattress,

made the bed,

swept up the sawdust.

Within seconds, the beagle jumped on the comforter.

She returned the journal Monday.

She had written in it! Three pages!

The only time in the 249 journals written since

that anyone else but me wrote in one.

An excerpt:

Now that I’ve met Matt, I don’t see anything without him. If he decided he didn’t like me, it would totally rip me apart. I have given him my heart and all of me. It would totally destroy me if he left me.

She dumped me two weeks later.

I never wrote about it

or the broken bed slats in my journal,

but I am writing about it now,

almost a half century later,

consulting that first journal for reference.

The Coin Toss

We always went to the Oregon City bowling alley on our dates

although we never bowled a single frame.

I always flipped a quarter,

she always called it in the air.

I caught it, called it out,

and our fates began.

If I lost,

I had to sneak into the bowling alley,

sneak into the men’s restroom,

slide a quarter into a condom machine,

turn a silver knob

until a three-pack dropped to a tray below.

If she lost, same story in the women’s restroom.

Always lubed,

no preposterous purple pricklers.

We sure went to that bowling alley a lot.

What else was there to do in 1982?

After the purchase,

She fired up her brown Pinto hatchback and drove us to

the parking lot of a stone church near the John McLoughlin House.

No AM radio playing

because we always talked when she drove.

The police never rousted us.

July 29, 2026

Ode to Corduroy

Matt Love NSP Meditations, Poetry corduroy

Let me wear corduroy garments

or let me stride naked in public

or incarcerate me in Dockers.

Pants, blazers, shirts, cutoffs, coats

with no more than 6-wail,

NEVER PLEATED PANTS!

Oh the glorious loose, comfortable nature

of this cozy clothing!

Let us remember the halcyon days of corduroy,

the baby blue three-piece suit

with wide lapels, flared pants,

advertised in Playboy,

long, long gone

like gelatin desserts with suspended shrimp,

topped with Cool Whip

or serve and volley on grass at Wimbledon.

Praise be to my greatest corduroy garment,

a tan car coat with suede pockets, flannel lining, leather buttons,

stitched by communist women in Yugoslavia during the Cold War,

while singing proletariat hymns,

purchased 15 years ago,

by a student at a thrift store for 99 cents.

She claimed the coat was “pure Mr. Love.”

From the moment I slipped it on, I agreed.

I’ve probably walked 5000 miles along Oregon’s ocean beaches in this coat.

I’d received compliments all over Oregon from old and young alike (mostly homeless people).

I will never forget wearing it in a Newport wine shop and a beautiful woman

wearing an eye patch,

wielding a cane,

came up,

rested her left hand on my shoulder,

looked the coat up and down,

looked me in the eyes and said,

“You and that jacket really have it going on.”

Any woman doing yard work with me wearing corduroy cutoffs

won’t be doing yard work for very long.

Hail to Jimmy Carter,

the only President to ever wear corduroy!

Look where we went after Reagan’s pinstripes.

My father, a Church of Christ minister,

used to preach in a green corduroy blazer with patches.

It should have made me believe

because Jesus would have worn corduroy,

he had a corduroy personality,

unlike Peter and Paul.

Oh those B Westerns where the good guys wore corduroy jackets with fringes!

The bad guys work buckskin,

scraped hides from dead animals,

and there your have it why the good guys always won.

Rock on forever Three Dog Night

performing concerts wearing corduroy.

Thank you Lauren Hutton for the gap in your teeth

and wearing a mauve corduroy pant suit.

I must be the last golfer on Earth who plays rounds in corduroys!

All my corduroys have grass stains in the knees,

thus precisely demonstrating a superb way to live,

gritty, going to the ground.

You don’t see grass stains in yoga pants.

If I ever marry again,

I will wear a corduroy blazer,

the color of burgundy.

The holy grail was always white corduroy pants.

One time I saw the treasure,

so big they would have hung loose on Chester Arthur!

I once wrote a utopian short story

where every citizens of a kingdom wore corduroy.

The nemesis of this kingdom made their slaves wear fleece and lycra.

One morning I decided it was time to euthanize the car coat.

It was fraying, ripped, spent.

I hung it on a driftwood fort

knowing the tide would wash it away

and a mermaid would transform it into a bikini.

I left the beach,

sprinted back an hour later,

rescued the coat,

and a master seamstress brought forth resurrection.

Corduroy is all but extirpated in Oregon Coast thrift stores,

soon all of Oregon, the nation.

Then extinction.

I’m down to three pairs of pants,

threadbare wine, brown, green.

I keep searching in vain,

but search nonetheless.

I will never buy them online!

Have you seen the awful styles?

Zero percent cotton!

One-hundred percent petroleum product.

Corduroy blazers are all that remain of the corduroy empire.

I inspect them on racks every now and then,

thinking I might save yet another refugee from recycling,

becoming composite material for playground surfaces

because kids can’t handle falling on bark dust anymore.

I continue to haunt garage and estate sales,

hoping, praying, conjuring

some old coot croaked

from smoking too many Camels.

He left behind a closet

stuffed with nothing but corduroy,

that when I behold,

I will fall to my knees

and weep tears of joy

with a 2-wail stream.

«‹ 9 10 11 12›»

Teacher of the Year: A Novella

By Matt Love

A reluctant teacher becomes advisor to a moribund high school newspaper. He meets the new editor, a dynamic 18-year-old senior, and together they begin a unique creative collaboration that revives the publication and slowly slides into gray areas. As the poet Octavio Paz wrote, “To realize itself, love must violate the rules of our world...committed by two stars that break out of the conception of love, which implies breaking away and a catastrophe..."

Teacher of the Year
Amazon's Kindle Edition $6.99

Teacher of the Year unfolds in an energetic mixture of epistle, stream-of-consciousness, narrative and meditations on the craft and alchemy of teaching. There is no other more authentic literary exploration into the agonies and ecstasies of teaching in the annals of American literature than this novella.


A Substantial but Incomplete Autobiography in Poems

By Matt Love

In perhaps the largest, most eclectic volume of previously unpublished poetry in the history of Pacific Northwest literature, Matt Love presents 148 poems written over a 30-year span.

As he writes in the introduction to A Substantial but Incomplete Autobiography in Poems, “I have organized this collection into six categories: Ocean, Love, My Life, Oregon Tavern Age, Homelessness, Probation. These poems serve as a substantial but incomplete autobiography.”

“Confessionals, odes, scatological doggerel, polemics, tankas, haiku, prose, psalms, requiems, observations, love letters, lamentations, lyrics, stream of consciousness, meditations, lists, riffs, a eulogy, a sermon, a commencement speech, found poetry, tributes, elegies. I threw it all into an ancient cement mixer and hand cranked that concrete beast while watching blue herons undulate overhead and drinking red wine as the husky snoozed in his dirt fort. The result: A Substantial but Incomplete Autobiography in Poems, something merging where Charles Bukowski, Richard Hugo, Mary Oliver and Liz Phair blend together.”

None of Love's poems were ever submitted to poetry journals, contests or magazines, making this collection a true renegade project of passion and readable to any denizen of a coastal dive bar.

Amazon's Kindle Edition $7.99 (Free if you have Kindle Unlimited)

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