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A Blog by Matt Love
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June 13, 2019

5:42 AM Fort

Matt Love Driftwood Forts, NSP Meditations, Oregon Beaches driftwood forts, Oregon Coast

They destroy at night. I create in the morning, 5:42 in the morning to be precise. My earliest fort of all time…

A beautiful sunrise over the mountains, purple, orange and white clouds in a dull blue sky, met me. I drank cheap coffee and marveled at my energy and spirit.

I pulled over into the wayside on my way to work, my construction gig, and started walking down the beach. A fort would form itself or not; it depended on what was there or not there; it depended on the fullness of my creative mind or the emptiness of my mind. I saw a massive root wad tilted at an unusual angle. Someone has built tiny cairns on it, and left behind offerings of shells and feathers. A long, thin, round piece of driftwood caught my eye. I retrieved it and leaned it against the root wad. I found two other spars and whipped up the beginnings of a fort or sculpture or whatever it would become today at the hands of others. Doubtless the creation would be destroyed tonight. This was Fort Destroyer territory. But while it stood it will have delighted hundreds of others, and inspired them to create, add, change, strengthen, adorn, collaborate. The Destroyer knows nothing of that.

June 12, 2019

The Bonnie and Clyde Files…another excerpt

Matt Love Bonnie and Clyde Files, NSP Meditations books about criminal justice system, dog books, dog books probation poems, justice reform, matt love, matt love books, oregon books, Oregon probation

My latest book, The Bonnie and Clyde Files: How Two Senior Dogs Saved a Middle Aged Man is out and I have a few copies left of this limited edition (300) run. I invite you to support me and an independent Oregon publisher by purchasing direct from my web site, nestuccaspitpress.com

The book features 10 poetic interludes, where I channel Walt Whitman to make sense of the madness and inhumanity I witnessed, scenes I will never forget:

Below is an excerpt:

I lean against the wall

inside the probation office.

Joint is packed.

Reprobates are jacked.

I read Walt Whitman

at random

waiting for a form

to set me free.

It’s come to that:

a form for freedom

in a democracy.

Can you believe

they want it in longhand?

To my right

two couples

make out

before their

meetings and drug tests.

Nothing surprises in here

not the sparkled jeans

nor the man reading Macbeth,

not the dog food coupons

to feed human beings

nor the reek of fish.

Okay, this making out does

these two couples!

It’s like that poem

“Kissing” by Dorianne Laux.

A stanza reads:

They are kissing
to begin the world again. Nothing
can stop them…

they are doing what they have to do
to survive the worst

It’s the one human act

the State can’t take from us.

Even in here:

fluorescent lights

plastic chairs

gray carpet.

It’s an act of secret rebellion

smack dab in the open

face to face

in our faceless times

not a reckoning

but a puckering.

I read another line from Walt.

He writes a lot about kissing

but never uses the word.

I watch the couples,

the two women

angled toward me,

their eyes closed.

One has slipped her feet

out of flip flops.

She is barefoot

and kissing

in the probation office.

June 11, 2019

Lessons Learned When You Publish Your Book (revised)

Matt Love NSP Meditations, Writing gigging, literary gigging, matt love, nestucca spit press

My new book, The Bonnie and Clyde Files, came out almost two months ago. I learned some new lessons about publishing your own book since it’s release so I thought I would update the list below that appeared in The Gigging Life, published in 2016. This book retails for a mere $10 through my web site and I hope you will consider purchasing direct from me and give it to any gigger in your life, meaning those people who take their passions and products straight to the people. We need to support these people and their creative endeavors and I think this book can help them become better giggers. It might also help them preserve their sanity. Go to Nestucca Spit Press’ website (nestuccaspitpress.com) to purchase.

These are the lessons learned:

  • Never expect anyone you know will read your book.
  • Expect those same people to expect the book for free.
  • Never expect your family members will read your book.
  • Don’t be surprised that people will want your book to fail.
  • Never expect anyone who emails and wants the book for free will read it after you ship the book to them.
  • Never expect someone who buys your book will actually read it.
  • Expect that the one person you think will love the book will hate the book.
  • Expect someone to take three sentences out of your book out of context and hate the book because of that.
  • Occasionally expect that the person who most needs to read your book will read your book.
  • Never expect the person to whom you dedicate the book to will read the book.
  • Read the story of how John Steinbeck’s hometown felt about him writing about his hometown.
  • Never expect anyone from your hometown will ever read a word of what you wrote about your hometown.
  • Expect that some people living in a city that you wrote a book about will hate the book without ever having read it.
  • Do not read, under any circumstances, Jack London’s novel Martin Eden, about a struggling writer who suffers hundreds of literary rejections and humiliations, but then miraculously finds gargantuan success, only to have it end in tragedy.
  • Read, immediately after publication of your book, Jack London’s novel Martin Eden, so you can avoid the protagonist’s terrible fate should your book explode as a commercial success.
  • Never expect your work colleagues will read your book, even if it’s about their world of work.
  • If you are a teacher, never expect your students will read your book, even if you give it to them.
  • Never expect someone you are sleeping with will read your book, even if that person is in the book.
  • Never expect your book will seduce anyone.
  • Never expect an audience to find your book. Heed Henry Miller’s advice in Big Sur and The Oranges of Hieronymus Bosch:

The most important thing (for a writer)—how to reach the public, or better, how to create your own public—still remains to be faced. Without a public it’s a suicide. No matter how small, there has to be an audience. I mean, an appreciative, enthusiastic audience, a selective audience.

What few young writers realize, it seems to me, is that they must find—create, invent!—the way to reach their readers. It isn’t enough to write a good book, a beautiful book, or even a better book than most. It isn’t enough to even write an “original” book! You have to gig that book with all your heart in order to gain traction.

  • Never become bitter when a recently published Oregon book you deem inferior attracts attention and wins awards and your book doesn’t.
  • Never allow yourself to believe that Portland determines the zeitgeist of literary matters in Oregon. You can especially believe this if you have done a show in Roseburg or Siletz or Drain.
  • Never expect help from other published writers on the big labels, although it has been known to happen. There are a few big name writers out there who remember their hard scrabble origins who accidentally intersect with self-published authors and want to assist. But the intersection occurs only if the self-published author insinuates himself into the big-time writing game. It never happens on its own.
  • Never wait around for anything to happen on behalf of your book. It won’t.
  • Always expect some people will read only the acknowledgments of your book because they hope to read their names.
  • Always expect the person you most want to read your book will never read your book.
  • Always expect to encounter someone who thinks you wrote the book about them, even if you wrote it about someone else.
  • Always expect the person you least want to read your book will read your book and confront you about its contents. This is called the William Maxwell axiom, named for the great, but largely unheralded American novelist. In his memoir, Maxwell relates the story of writing a novel that included a minor character, an illiterate and overbearing African American maid that he based on a real person from his Southern, pre-integration childhood. Decades after the novel’s release, he ran into the maid at a grocery story while visiting his hometown. Turns out she wasn’t illiterate after all and had read the novel. He awkwardly said “hello” and she cut him dead in a way that he never forgot.
  • Always expect to meet a reader more obsessed with the subject of your latest book than you are.
  • Never expect any reviews of your book. You might even consider writing your own anonymous ones like Edgar Allen Poe and Walt Whitman did.
  • Expect at least one Oregon reviewer who recently moved to Oregon, knows nothing of Oregon and has never read your book, will review your Oregon book. She probably works for the Portland Mercury or Willamette Week, has never set foot on an Oregon ocean beach, and uses an umbrella.
  • Know this: if you don’t write about your book after it comes out, probably no one will else either.
  • Occasionally expect an author who has had a book published with a major publishing house to disdain you upon learning you self-published your book.
  • Always expect someone who “Likes” your book on Facebook will never read it, much less buy it.
  • Start writing another book before the new one comes out.
  • Expect for someone to refer to you as an “author” so it’s now acceptable to call yourself an “author.” That’s a big step.
  • Make sure you have a good massage therapist because you’ll need one after loading and unloading your books from the printer.
  • Never expect any other Oregon author or publisher to give a shit that you printed your book in Oregon with a family-owned printer and they gave you the best service in the world. It’s your job to give a shit because that’s the way you were raised and you will mention this when gigging the book.
  • Always expect someone will love your book.
  • Always dragoon people into reviewing your book for social media and web sites.
  • Always expect someone to understand your book better than you, the author of it, does. That happened to me with the rain book and she knows who she is. We should have ended up together.
  • Occasionally, expect someone to steal a book from you, and relish that thought.
  • Expect to the gig the book because no one else will.
  • Expect an enthusiastic reception about your book from the owners of Oregon independent bookstores, if you have demonstrated the ability to work hard promoting your book.
  • Never expect anyone to throw you a party to celebrate the release of your book, so always throw one yourself. You may not even need to invite anyone, excepting of course, the dog. At the party, be sure to never read longer than 20 minutes to humans and five for the dog.
  • Occasionally expect a reader to complain about the size of your font.
  • Throw a book release party for yourself because no one else will.
  • Never expect other writers, artists or musicians in your town to read your book, although they will expect you to read their books, buy their art, and see them perform.
  • Expect multiple people in your town who will never read your book to ask or demand that you read their works in progress.
  • Always expect someone will hate your book. (I thought I’d mention that again.)
  • Occasionally expect your book will inspire someone to stalk you.
  • Expect to reread your book after it comes out and cringe when you encounter terrible writing.
  • Expect to meet a lot of readers, many of them vulnerable, if you write about your dog dying.
  • Always expect a jealous writer festering out there who will try to undermine the success of your book and, perhaps, try to sully or ruin your reputation. It’s happened to me several times.
  • Always expect some tyrannical grammar king or queen will point out errors of usage in your book.
  • Never expect to break even on your book.
  • Never expect “to be discovered” by a major or even minor league literary player.
  • Expect to meet a lot of readers who don’t care who or what corporate entity published your book. They only care about the content of the book.
  • Expect to meet a lot of entrepreneurs who make things like soap, beer, bread, jewelry, music and films, who will expect you to give your book to them for free, but will not reciprocate.
  • Learn to barter when trying to sell your book.
  • Never fear giving the book away to someone who wants to read it, but can’t afford to buy it.
  • Occasionally expect to feel motivated to give your book away at sheer random moments unrelated to a literary event, like crossing a street in a rainstorm and someone ahead of you is using an umbrella and you have the rain book stashed in the pea coat. I do it all the time.
  • Never expect anything but existential rewards when your book comes out. Make sure you recognize when they occur because sometimes they sneak up.
  • Never stop writing because of what does or does not happen when your book comes out.
  • Expect sometimes to have serious doubts about your talent and agentless, literary initiatives, but always remember this: Charlton Heston was taken seriously as an actor, Jonathan Franzen was on the cover of Time, Charles Bukowski was rejected a million times, Walt Whitman self-published Leaves of Grass, and George W. Bush was elected President of the United States exactly one time.
June 10, 2019

Nestucca Spit Press Releases Two New Books!

Matt Love NSP Meditations, Writing earl mohr, Jennifer Nightingale, nestucca spit press, oregon books, Oregon coast writers, oregon publishers, Oregon YA Fiction, poetry books, She Oregon, summer reading

Dear Friends of Oregon Books:

In 2003, I established Nestucca Spit Press (NSP) to publish books about Oregon, mine and other authors and poets. With this venture, I wanted to practice what I called “sustainable literature,” meaning the books were written by Oregonians, printed in Oregon, and sold exclusively at Oregon independent bookstores and live events. Since its formation, NSP has published 30 books and sold over 30,000 books across the PNW. And we’re still going strong.

NSP has released three books this spring, The Bonnie and Clyde Files written by me, and two others, a collection of poems titled She Oregon and a novel, Alberta & The Spark.

Many of my FB friends have generously supported NSP books over the years, I urge you to continue to support independent Oregon publishing by purchasing these titles direct from the Nestucca Spit Press web site of from independent bookstores. We need good stories and poems more than ever, and I am honored to have worked with the writers of these magnificent books.

About She Oregon:

In his first volume of dramatic verse, She Oregon, Gold Beach poet Earl Mohr presents his version of awakening to his relationship to Oregon. In this collection of poems, Mohr explores a variety of themes, including the exploitation of Oregon, its land, water, indigenous peoples, even its myths. The book, first in a projected trilogy of verse, contains 38 poems, the first written in 1966, the last one in 2018. Three voices, She Oregon, Scene Speaker and Echo interact with one another in each poem. The poems’ settings take place in a variety of Oregon places, including the Columbia Gorge, Willamette Valley, High Desert and Oregon Coast. “She Oregon is the most remarkable book of verse I’ve come across in Oregon literary history,” said Nestucca Spit Press Publisher Matt Love.

About Alberta & The Spark:

In her charming debut novel, Astoria author Jennifer Nightingale presents an unforgettable character, 13-year-old Alberta Evans, whose love of nature is as boundless as her belief in the goodness of all people. Set in a Pacific Northwest oyster town in the 1970s, Alberta struggles with adolescence and finds courage through her unique friendship with 15-year-old Felix, a kindred spirit who approaches the natural world as a scientist, while she reveres it with magical wonder. Together, they confront bullies, racism and disorienting family changes. They persevere and help bring their fractured coastal community together. “Alberta & The Spark is the best Pacific Northwest coming-of-age novel since Jim Lynch’s The Highest Tide,” said Nestucca Spit Press Publisher Matt Love.

To order direct go to nestuccaspitpress.com

June 7, 2019

The Fort Destroyer Continued…

Matt Love Driftwood Forts, NSP Meditations, Oregon Beaches driftwood forts, Oregon Coast

I responded with two forts. Fort fairies built two others. I saw them all standing on Saturday morning. When I checked Sunday morning, they had all been destroyed. I noticed a fat motorcycle track leading up to each fort. Mad Max tire tracks. It’s illegal to drive on this beach. No way anyone would have done it during daytime. You’d easily be seen and busted.

The Fort Destroyer had ridden his motorcycle on the beach in darkness and annihilated the forts. He might have even rigged up kelp to help tear them down.

I create, he destroys. Others create, he destroys. A friend suggested I was helping him work through issues. I liked that notion! Destroying a fort as a therapy! Why not? Building them helped me work through issues. I really loathe the word issues in this context. It’s a zero word, like entitlement or appropriation or resonate or dappled or socialism.

The Fort Destroyer really did a number on one of my person favorites. He even took off with the cut log round I had positioned for a stool!

But he did me a favor. This fort had become too big, the entryway too small, the meditative space too tiny. I pulled the wreckage apart this morning and, at 6:30 am, built a new fort that could sleep a homeless family, and probably will tonight. They will be shielded from wind and possibly rain. They can make a fire inside and hear the ocean while the flames hiss and crackle.

I’m not going to stop creating forts, here or anywhere along the Oregon Coast. He can do what he wants. I’ll do what I want. Will creation triumph over destruction? Isn’t that the eternal question we all have to answer every day of our lives. Create!!!!

June 5, 2019

Lost in the Grass

Matt Love Fiction, NSP Meditations

They lost things in the grass. A bicycle. Water hoses. A barbecue. Kiddie pool. A roll of barb wire. Coffee cups. A bag of concrete. A swing set. A tether ball pole.

These things were not discarded or abandoned in the grass. They were lost.

There had been a first use or non use, a summoning of some minor or grand initiative (let’s attract ducks with the pool!) some dollars spent, some effort expended, and then…and then…the grass took over and these things were hidden and not remembered. What can’t be seen can’t be remembered. At least things can’t. Most people, too.

The grass perpetrated no malice taking over. It was happy grass going to seed, waving in the wind, uncut, chemical free, occasionally integrated with colors from other flowering plants. Please don’t call them weeds. Bumblebees rejoiced!

The dog wouldn’t shit in the grass. He figured he might get lost, too, or host a flea festival.

Richard Brautigan called this sort of grass The Revenge of the Lawn. He got that right.

Grass just wants to be left alone. And here it was!

So why does it make me sad to see it? I suppose it’s because I think first of the people who aren’t mowing this grass and losing things in it.

Let us ruminate now on the people who let the grass go wild. Or did they? Was there anything conscious in the decision? Or what is a non-decision? Maybe they’d read Brautigan and became disciples. Maybe it was some kind of protest against mowing, the useless mowing of grass, laboring only for an aesthetic. All that snarling noise, black smoke and sharpened metal.

If only the people had invested in a flywheel mower! Now that’s something bucolic and makes a pleasant trilling sound. A flywheel also misses most of the dandelions. They escape the blades and go on tilting at attention, like tiny flags in a groovy country.

Wait! A flywheel mower was also lost in the grass. They let the handle fall to the ground one afternoon and it vanished.

You can’t really say people who lose things in the grass have gone to seed. I used to believe that, but I’ve changed my mind, my definition of the phrase. People who have gone to seed are waving in the wind, uncut, (usually) chemical free, spreading their wild seeds and sharing the field with other plants and tiny creatures of the field.

They are not part of America’s manicured lawn. They are not conforming. They will become part of a meadow! Or a glade! Who wouldn’t prefer that to a lawn?

Most. It’s so much easier being part of a lawn.

Think about something else, too. The wilder the grass gets the less likely invaders, such as blackberries, gorse, scotch broom, bamboo and capitalism, will find a foothold, then spread, spread, spread and then occupy forever.

Also consider this: a perfectly operational riding lawnmower stood parked at the edge of the grass, near a large spruce. Actually there was another mower as well! No, wait, it wasn’t a riding lawnmower. It was a small tractor with a mower deck. It could have cut the “lawn” with two passes. Five minutes.

Both were shiny and new and cost thousands of dollars each. Give it a couple of years, and they’ll be lost in the grass, too, near the rowing machine and council of lawn gnomes.

So if the people in the house who lose things in the grass have not gone to seed, where have they gone?

They are merely gone.

Americans dissipate. In great numbers these days. Grass doesn’t.

Once the grass had been a front lawn, disheveled for sure, but a lawn nonetheless, a lawn at the end of a long gravel driveway. A home stands there, barely. It would become lost one day, along with the people in it.

A house lost in the grass is sad when so many people live in tents on concrete or out of their jalopies. Or ride a bicycle 10 miles in the rain with a ukulele to play for a free breakfast.

The grass where things are lost is not Walt Whitman’s grass. Walt’s wild grass had promise. Every single spear. You put a spear in your mouth and you feel wild. You walk with a spear in the mouth, and you don’t feel lost at all.

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Teacher of the Year: A Novella

By Matt Love

A reluctant teacher becomes advisor to a moribund high school newspaper. He meets the new editor, a dynamic 18-year-old senior, and together they begin a unique creative collaboration that revives the publication and slowly slides into gray areas. As the poet Octavio Paz wrote, “To realize itself, love must violate the rules of our world...committed by two stars that break out of the conception of love, which implies breaking away and a catastrophe..."

Teacher of the Year
Amazon's Kindle Edition $6.99

Teacher of the Year unfolds in an energetic mixture of epistle, stream-of-consciousness, narrative and meditations on the craft and alchemy of teaching. There is no other more authentic literary exploration into the agonies and ecstasies of teaching in the annals of American literature than this novella.


A Substantial but Incomplete Autobiography in Poems

By Matt Love

In perhaps the largest, most eclectic volume of previously unpublished poetry in the history of Pacific Northwest literature, Matt Love presents 148 poems written over a 30-year span.

As he writes in the introduction to A Substantial but Incomplete Autobiography in Poems, “I have organized this collection into six categories: Ocean, Love, My Life, Oregon Tavern Age, Homelessness, Probation. These poems serve as a substantial but incomplete autobiography.”

“Confessionals, odes, scatological doggerel, polemics, tankas, haiku, prose, psalms, requiems, observations, love letters, lamentations, lyrics, stream of consciousness, meditations, lists, riffs, a eulogy, a sermon, a commencement speech, found poetry, tributes, elegies. I threw it all into an ancient cement mixer and hand cranked that concrete beast while watching blue herons undulate overhead and drinking red wine as the husky snoozed in his dirt fort. The result: A Substantial but Incomplete Autobiography in Poems, something merging where Charles Bukowski, Richard Hugo, Mary Oliver and Liz Phair blend together.”

None of Love's poems were ever submitted to poetry journals, contests or magazines, making this collection a true renegade project of passion and readable to any denizen of a coastal dive bar.

A Substantial but Incomplete Autobiography in Poems

Print Edition

$21.99 + $4 Shipping


Amazon's Kindle Edition $7.99 (Free if you have Kindle Unlimited)

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