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July 22, 2022

Oregon Tavern Age: Summer Musings

Matt Love NSP Meditations, Oregon Tavern Age Oregon tavern age

I was sitting at the bar of an OTA joint in Oak Grove. A tattooed female bartender with a nose ring worked the room with her usual spice.

Some emaciated older man, but not OTA, was down the bar to my left, drinking a Bud and recounting to another man his career as a male dancer and gigolo in the 80s/90s and his appearance on the Maury Povich Show.

Across the room an OTA man was reading a fat paperback and eating a plate of fried food. Lifeless classic rock drifted through the air. Mindless sports talk played silently on television.

I had just concluded a shift volunteering at a street ministry that serves homeless men and women of Clackamas County.

One client in particular stuck in my mind, a young man, nicely dressed, neatly groomed. He had waited on hold for almost my entire two-hour shift with a homeless shelter in Vancouver. He told me desperately wanted off the streets.

The man finally got through to a staffer and was told he needed an appointment. The next available one was a week away. He’d have to get on a waiting list for a spot in the shelter and blah blah blah.

The man looked whipped, beat. He told me he was trying to be proactive, but it wasn’t working.

That is unacceptable in this crisis. The shelter should have immediately sent a car to pick him up and treat his desire to transition off the streets as the emergency it is.

I took a sip of my IPA and overheard more the former gigolo’s story…he was on the cover of Playgirl twice in the 80s…he was a flunky in the adult entertainment industry…he was in movies…

and

then

I didn’t give a shit.

It wasn’t worth listening to anymore (if it ever was) so I left the room for the smoking porch and some peace and quiet.

I guess I’ve lost my interest in hearing OTA stories, at least metro Portland ones. They are so dull in comparison with coastal tales. In fact, there is no comparison.

Give me an osprey dropping an eel from the sky and knocking out a woman in her yard over a man who said he graced the cover of Playgirl any day of the week.

But I need coastal Oregon Tavern Age country for that.

July 20, 2022

July 2022 Scenes

Matt Love NSP Meditations

Two young raccoons eating apples in a tree.

A woman in a dive bar talking about her latest cocaine binge and upcoming trip to Costa Rica.

Drivers stopping in the middle of the I-405 bridge in Portland, getting out of their vehicles to take photographs of Fourth of July fireworks. Such behavior perfectly illustrates the supreme and dangerous narcissism afflicting so many contemporary Americans.

Three men passed out in the grass of a park with hot dogs, buns and condiments strewn about him.

A tarot card reading on a sidewalk by a soothsayer drunk on malt liquor.

Congressional hearing documenting Republican treason, insurrection and insanity.

Finding yet another great Elmore Leonard novel in a street library.

An elderly couple driving round Southeast Portland looking for their homeless son and his girlfriend.

A meth miscreant shooting hoops in a city park at seven in the morning.

Ducklings swimming in a former casting pond built by the WPA.

An obviously deranged man drinking hot chocolate and eating Lucky Charms while standing.

A dog bounding into the ocean.

A deer eating raspberries from a table.

A woman wearing nothing but a tarp around her.

An elderly man dressing up as a kind of fairy and roaming around a park.

The moment a writer realized he had to cut 190,000 words out of 200,000 already written about Oregon’s homeless crisis.

July 18, 2022

How to Become A Writer Who Writes About the Homeless Crisis

Matt Love NSP Meditations, Writing

First, don’t become homeless, not for a second. Don’t be a dilettante and temporarily live among the homeless in a tent, RV or doghouse and then use that experience to gin up an agent query or grant application. Then again, such posing could help you land the big book deal and the streaming show. You also don’t need a writer’s retreat in a forested setting to become a writer who writes about the homeless. You already have the perfect spot to write about the homeless—the bleachers at the ball fields across the street from your neighborhood homeless encampment. You just turn the other way and write and stories unfold in real time. Nothing like writing in real time!

Admit it! You’ll never hit the big score with this subject; there is no such hope with anything you write. But you will write about it nonetheless. You didn’t choose the subject, it chose you

What you do have going for you is the knowledge there is something new under the sun with this current American homeless crisis. You see it. You’ve talk with it. Now write a new way about it and never assume you know anything.

While writing about the homeless crisis, don’t shape the story like a foreign correspondent covering a war. There is a war going on in America to cover, and you are part of it because your country is America, and you must not become emotionally detached like so many New Yorker writers are, or delude yourself with objectivity. Use your heart. Write from the heart.

It is important that you don’t align yourself with any advocacy group because then you will become a combination of parrot and ostrich, That combination is terrible for originality but it often opens doors to publication.

You should also take a lot of what homeless people tell you with a shaker of salt. No one has special access to the truth in this story, or any story for that matter. Remember that.

Disdain all conventional wisdom. Experiment with multiple writing genres to convey this story. Choose one, two or three genres, then abandon them all and invent something new or rip off something old! You belong to no genre. You belong to no one. You can’t. You will go on guts and intuition.

Second, avoid a substance abuse problem while writing on this subject. But, if you’re offered a belt of Old Crow by homeless book club reading Bukowski, you damn well better take it. Don’t be a phony!

To quote the writer Lorrie Moore, “Decide faces are important.” And they are with this subject. The American faces of the homeless you’ve seen are nothing like you’ve seen before. You want to know why they look the way they do and you don’t want to make up the reasons.

Why write? It’s fucked up. It’s awful. It’s pure travesty, pure farce. But something else rumbles in the homeless crisis. You don’t precisely know what it is at this point, but you keep spelunking, or excavating with a butter knife, or snorkeling into sewage treatment plants, or making calls on landlines. One day, you might know.

There is no plot to the homeless crisis. Some dipshit editor in a gleaming tower overlooking a thousand homeless people camping on sidewalks below will criticize your writing on the crisis as having no plot. There is no plot! There once was and it started with the election of Ronald Reagan and shattered soldiers in the aftermath of the Vietnam War who ended up homeless and being hated by the draft dodging Ronald Reagan. But now, there is only a gruesome, absurd, squalid and survival-mode mise en-scene of an American tragedy as documented by sights in various homeless encampments in your neighborhood—five to be exact. Make that seven.

Such sights as:

Men playing foos ball

The garbage can barbecued turkey

The bust of a Founding Father

The tomato plants

The flower pots

A man composting next to a steaming compost pile

The pallet throne

The encyclopedia house

The kid’s playhouse

The igloo dog house

The man who rigged up a massive china hutch as a kind of bunk bed

The 57 lawnmowers

The baptism in a kiddie pool

The headless dolls

The beaverwood portal

The blow torching of crawdads for dinner

The fishing for salmon for dinner

The 11 Traeger grills

The 14 mannequins

The stack of VCR players

The hammock

The Santa Claus collection

The rooftop television antenna from 1972

The death metal guitarist

What do you make of these images in terms of their literary potential? Goddammit! You should have been a photographer or painter or filmmaker to explore the visual nature of what you are seeing, but writing is your lot, so get on with the words, even though they may fail.

Don’t ever forget to throw in some humor when it unfolds in the context of your relationship to the crisis. And there is humor! Some homeless dude wore a tuxedo to a street ministry and another homeless dude needed powdered creamer to mix with cranberry juice to treat a pet squirrel suffering from a urinary infection!

Lorrie Moore suggested a writer should, “…begin to wonder what you do write about. Or if you have anything to say. Or if there even is such a thing as a thing to say.”

She may have a point. Do you have anything to say about the homeless crisis? Finish the project and then you’ll know—maybe. Don’t ask that when you are still wondering about the subject and walking through it. Perhaps the whole business about how to become a writer about the homeless crisis is not ever knowing if you have anything to say. Perhaps that is up to the people who will read your writing about the homeless crisis, including the homeless in your neighborhood who have become your most enthusiastic readers.

Third, don’t fall in love with a homeless person. Wait! Why not? It might be great for the writing and lift one person out of homelessness. You might even get a great idea for a Hallmark Christmas movie out of the experience, or some variation of it, like when a hot female social worker meets the hunky homeless guy living in a van in an encampment. He’s playing a Bob Seger song on an acoustic guitar, she’s doing welfare checks, they see each other. AND HUBBA HUBBA!

Fourth, perform some manual labor pertaining to the crisis: serve coffee, clean toilets, sweep floors, build a shelter. Manual labor always improves your writing so do more of it.

When the time comes to help someone who is homeless, and that happens all the time, ACT. ACT RIGHT THEN AND THERE. It’s about a person in obvious dire need. Help the person and, well, that will help the writing.

Finally, never, ever, say you have finished your writing about the homeless crisis because the story will never end, at least in your lifetime, and that’s how you really become a writer who writes about the homeless. You never stop because if you do, that means you stopped caring and just used the crisis for material.

For example, hypothetically speaking, you feel like the project has come to an end, and have decided to write about something else, say, a semi thriller about a Christian missionary who runs guns and smuggles diamonds to support a ministry in Brazil (true story) and how this missionary was once in the same room with Elizabeth Bishop, Pele and Janis Joplin (true story).

Yes! Yes! Yes! You want to write about that! So you take a walk through your neighborhood to think about this exciting new project, and you see two homeless men smoking meth and tossing a football around on the lawn of a Mormon Church and you know you will have to write that up. And then you see a bald eagle perched on the roof of a a 50-year derelict RV named the Golden Eagle that’s moldering in an encampment and you know you will have to write that up. And then you see four homeless men and a woman playing a board game on a picnic table at seven in the morning near a creek flirting with flood stage and you know you will have to write that up. (What board game was it?) And then you see an osprey soaring above a homeless encampment destroying a wetlands and the bird of prey drops (accidentally?) an eel and the residents of the encampment rejoice and fry it up for supper and you damn well know you have to write that up. When ospreys show up in storytelling, they cannot be denied. You won’t deny them!

Face it. This book is going to be your version of Leaves of Grass. You’ll just keep updating each new edition with more stories about the homeless crisis until the day you die and hold out hope that a few readers find it.

July 15, 2022

Thoughts on My Volunteer Service

Matt Love NSP Meditations

I was in a library sitting in front of a large window that overlooked a tiny creek. In my hands was a magazine article containing a withering critique of philanthropy, both the mega-foundation juggernauts and the mom and pop outfits. It was so withering I read it twice.

The author derives her criticism from the perceived hierarchical relationship most philanthropic organizations have over the people and causes their mission statements claim to address. They are above; everyone else is below. Giving comes with a price and a agenda. The recipient must accept the price and agenda. According to author of the criticism, this is naked power and paternalism at its worst. She presents many examples ranging from the Gates Foundation to Catholic Charities.

I disagreed with much of the critique because it seemed so far removed from my direct experience volunteering to help the homeless, although both organizations I volunteer for receive significant support from large regional foundations. You just can’t pass the hat to fund this kind of daily work.

Here are my notes, digression, comments and questions related to the critique.

Is my volunteering an act of altruism or advancing more power over vulnerable people? Is my service paternalistic? No and no. If you saw some of the people I served today, you would never say there is a power relationship between us because they were so far gone they don’t even know where they are or how to communicate on a basic level of understanding. They were starving and needed a meal. They were required to do anything to receive that meal except behave in a dining room. They also had the option of contacting the onsite caseworker if they needed further assistance and many utilized that option.

There is a difference between charity and mutual aid and the latter is preferred because the recipient of aid assumes a role in the assistance with an expectation of reciprocity, you know, like throwing your breakfast bowl, cup and spoon in the garbage before you leave. Is telling someone to do that a power trip?

What works better in working with the homeless—carrot or the stick? Strings or no strings? Can they come to the water on their own? Will they drink? What if they desire to remain homeless the rest of their lives and largely or somewhat dependent on others for survival.

Is the current assistance to the homeless helping to solve the problem, perpetuate it, or making it worse? That’s more than just a political question.

The foundation to all plans for solving the homeless crisis rests on the notion that most of these people will have to/want to work to afford the subsided housing that is coming on line soon. How solid is that foundation? Not very strong, I think. There is something going on in the minds of many Americans today with respect to working a job. It’s not being written about all that much.

Why am I volunteering? Because a national emergency is staring me in the face on a daily basis.

Do I have to justify my participation? No. I care. I want to act.

Should I think about my participation in terms of hierarchy and paternalism? No, that’s academic bullshit.

Am I volunteering merely to gather material for a book called the New American Diaspora? No. I often think my time would be better served volunteering at animal shelters. Here is about the most terrible sentence I will ever write: I sometimes believe American society is better served trying to save American dogs from destruction rather than saving American humans beings from destruction. There, I wrote it.

I believe my volunteering has value and it’s not in service to some dark agenda to exert power over the downtrodden. I sure don’t do it to feel good about myself. I have the time, the rightness of mind and body to serve, the economic means, so why not get out there? I certainly feel it has more worth than what I did in the classroom for all those years.

Besides, volunteering is like attending an unscripted one-act play every week where I watch every possible facet of American behavior on visceral display and it’s a thousand times more enlightening than watching a documentary on television. It is an education like no other one I have ever received.

Why do some people in power and the media use the pejorative phrase “do gooder” to mock those who want to help improve their society? Shouldn’t we all be doing good all the time?

The other morning was my first day of volunteering where I wanted to boot a client out. It didn’t feel good so I took a break and went out to the parking lot and watched dogs play in the park and felt better. Then I returned inside and got to work.

July 13, 2022

On Considering the Homeless Crisis as a Disaster Event

Matt Love NSP Meditations

These reflections are the direct result of reading Rebecca Solnit’s brilliant book, A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster, published in 2009.

Her book is about what happens in the immediate aftermath of disasters such as a hurricane, earthquake or terrorist attack. As I read and annotated the book, I was transported to my experiences with the homeless in Oregon and wondered about the possible comparisons between the responses to this crisis and the ones Solnit documents.

Here are my notes, observations, comments, asides and questions:

Is the homeless crisis in America a disaster event? Yes. Look around you. Am I wrong to equate the homeless crisis as a disaster on par with a hurricane or earthquake or wildfire? No.

Have homeless people responded as if caught up in a natural disaster? Yes. They have formed distinct communities to survive the experience. Some of these communities are healthy, others are not.

The disaster of homelessness is the opportunity for positive, even momentous change. But we are not seizing it. Maybe it isn’t disastrous enough.

We know the causes of a natural disaster. Do we know the causes of the homelessness disaster?

Yes.

Solnit writes, “…are we beholden to each other, must we take care of each other, or is every man for himself?”

Yes.

She also writes, “When all the ordinary divides and patterns are shattered, people step up—not all, but the great preponderance—to become their brothers’ keepers. And that purposefulness and contentedness bring joy even amid death, chaos, fear and loss.”

Yes.

Furthermore, “Horrible in itself, disaster is sometimes a door back into paradise, the paradise at least in which we are who we hope to be, do the work we desire, and our each our sister’s and brother’s keeper.”

Yes.

Disaster hits. Then people and their governments respond. People go into action first, then governments and various relief organizations. That’s what’s happening now with the homeless crisis but the actions don’t seem to be making a difference that most people can see. The homeless crisis is a disaster and that’s why and so many others are volunteering to help with it. But for how long?

Solnit believes: you can be your best most desired person helping out in a disaster. It creates that unique opportunity.

Sometimes the trauma inflicted by a disaster makes you act to help yourself and others to survive it. But is that true of the trauma of being homeless?

Perhaps helping the homeless shows the homeless and the housed the best way to live.

I have read virtually nothing about the volunteers assisting the homeless or even about people employed to solve or alleviate the crisis. Why is that? We need those stories, too.

Solnit describes a solidarity formed by people who experience a natural disaster together. I have seen that solidarity in many of the homeless men and I woman I have encountered and interacted with.

There is joy in the community at having survived a disaster that finally came to an end. But will this one ever end?

Solnit is adamant that an authoritarian and/or militarized response to disaster is typically a debacle for the people suffering on the ground. But that is precisely the response many people are calling for, including one Republican candidate for Governor who suggested rounding up all the homeless in Oregon and interning them in facility at the Port of Portland.

The advocates and professionals tasked with alleviating the homeless crisis should be held just as accountable for their inaction and failures as homeless people are held accountable for their inaction and failures.

There are redemptive moments in disasters. I’ve seen them in the homeless crisis on both sides of the issue.

The key to surviving a natural disaster is creating power from below and letting survivors plan or help plan and participate in recovery efforts. Does that model work in the homeless crisis? It would seem like a great idea to try.

Solnit somewhat castigates the Therapy Industrial Complex (my phrase) for reducing people to victims with no capacity to transcend a trauma related to a disaster without professional (and expensive) therapy. The Complex never presents the idea that the trauma inflicted by the disaster might actually lead to something better than a previous existence. Sufferers of trauma should not be labeled and treated like victims. They should be met where they are and immediately helped with consistent and kind follow-up. In the case of homeless people, that means getting them off the streets to better serve them and not prolonging their homelessness and its obvious dangers by advocates claiming trying to do so further traumatizes them and makes their conditions worse. The trauma is the homelessness. Focus on that.

The successful communities that sprang up after disasters relied on creativity and improvisation. In other words, winging it to solve problems. I’ve seen this type of winging it with some of the homeless. Examples include figuring out how to fix a timing chain on 50-year-old RV engine when the part doesn’t exist; rigging up a tiny garbage can to barbecue a turkey for Christmas dinner in a fire pit; using the fine hardwoods of discarded coat and hack racks for material to carve ornamental walking staffs.

There is some hope in the homeless crisis, at least in my limited experience, because many homeless people have come together to create a community to ensure their survival, although some of the survival tactics are undeniably injurious in the short and long runs.

The people I volunteer with to help alleviate the homeless crisis are the finest people I have ever met. Our camaraderie brings me great joy. They have taught me much about how to serve in this disaster.

July 11, 2022

The Bolshevik Beavers of Bybee Boulevard

Matt Love NSP Meditations

They gathered at dusk where the babbling brook known as Crystal Springs flowed through a culvert under a roadway. They would hush and shush each other around the decorative stonework and wooden foot bridge, quiet down, and then wait, wait, wait, as the water trickled and tumbled past cedars and willows to Johnson Creek, the Willamette River, the Columbia River, and finally the Pacific Ocean. Down, down, down a mighty and degraded watershed.

Yes, they waited on fine summer evenings until the Bolshevik beavers of Bybee Boulevard emerged to perform their industrious and adorable work of maintaining their magnificent dam stuffed inside the south end of the culvert. It was this dam that impeded the flow of Crystal Springs and infrequently led to minor flooding of the nearby fire department’s parking lot. No matter. No Portland official would dare order the destruction of the dam, because if they did, all holy hell would break loose and someone might lose their job, if not their head.

The beavers wielded major star power, although they were completely oblivious to it. Beavers are like that. But the Bolshevik beavers of Bybee Boulevard were certainly aware of something else related to their nightly beavering in Crystal Springs and that was: by virtue of how they lived their lives with simple purpose, economy, equality, dedication, collaboration and artistry, they were modeling how to live better and practice a bit more communism in a corrupt capitalist society.

They came from near and far in the Sellwood and Eastmoreland neighborhoods to witness the spectacle. Just to name a few: golfers, firefighters, retirees, Reedies, plutocrats, yoga-pants-wearing mothers pushing toddlers in sleek strollers, denizens of zombie RVs, and even dancers from the strip club downstream who had set up a special tip jar at the rack to support more beaver reintroduction into Portland’s salmon-bearing streams.

Oh what marvel it is to watch beavers work, chinking and notching sticks and logs so they snugly and securely fit together in the construction of dams and lodges like so many frontier log cabins. Their nutritious needs then transform into building materials and also unique works of art. In their beavering, they are foragers, engineers, builders, architects, artists, craftsmen, and creators of vibrant ecosystems such as sloughs, ponds, and marshes that foster and nourish all kinds of life, including wild salmon, not the hatchery fakes.

Indeed, it was quite a show for the residents and transients of the neighborhoods! But the fans didn’t know the beavers of Bybee Boulevard were Bolsheviks. How could they? They didn’t even know the critical role beavers played in the ongoing health of watersheds, and thus in the ongoing health of human beings. Most Oregonians didn’t know anything about these extraordinary creatures, such as their real name, castor canadensis, American beaver; or that it is the state’s official animal; or that lunkhead legislators refuse to protect them from lethal trapping; or that Oregon is known as the Beaver State; or that Oregon is the only state with a two-sided flag and one is a scratchy yellow illustration of a beaver. There is a lot to know about beavers in Oregon and the more you know, the better Oregonian you will be.

The beavers were Bolsheviks because they owned no private property, lived in a society without classes, wanted to nationalize the internet (because the American government initially built and maintained it) and believed labor should always master capital. They also had a similar motto: wood, peace, freedom. Beavers were quite unlike Bolsheviks, however, in that they didn’t make long speeches or murder those beavers who didn’t follow the party line. In this way, they got the best of economic Bolshevism and avoided the worst of its politics, which was ruthless and psychotic authoritarian power and you get that pretty much anywhere, especially in America.

The beavers’ performance at dusk lasted about half an hour. Rarely did their fans stay longer than five minutes. It was a lot of labor posting photos and videos to social media stupidity platforms. But even in a mere five minutes, they would have observed beavers working together and living each according to their bucktoothed abilities and each according to their bucktoothed needs. They shared. They ate organic. They played. They glided. The beat the brook with their tails if interlopers dared venture near and take a selfie with them. They often rolled lily pads and digested them as if smoking fine cigars. They even inspired a homeless man surrounded by squalor to give up his tent and tarp on concrete and relocate to a crude creekside lodge he constructed from castoff beaverwood. And whatever the beavers did, they often left behind wonderful choice cuts distinguished by their signature gnaws and bites that highly eccentric yet attuned human beings collected and admired like so many baseball cards or Hot wheels.

Building dams, building lodges, raising families, recharging groundwater, improving salmon habitat, entertaining human beings, making art, gnawing here and there. The beavers were certainly busy! But in their own way they were clandestine homebodies like Mr. Beaver in The Lion, Witch, and the Wardrobe, the bespectacled, porter drinking beaver who really was a secret revolutionary waiting for the return of Aslan. They differed somewhat, in that their waiting was not for the return of a savior, (Rachel Carson had already come and died,) but waiting for the glorious day when Americans accepted the obvious fact that they were ruining the planet with the insane consumption demanded by capitalism, and must change course toot sweet or disaster was imminent, if not already here. When that day arrived, the beavers would rejoice because Americans, especially rural bumpkins, would finally leave them alone and let them build their damn dams in peace!

«‹ 89 90 91 92›»

Teacher of the Year: A Novella

By Matt Love

A reluctant teacher becomes advisor to a moribund high school newspaper. He meets the new editor, a dynamic 18-year-old senior, and together they begin a unique creative collaboration that revives the publication and slowly slides into gray areas. As the poet Octavio Paz wrote, “To realize itself, love must violate the rules of our world...committed by two stars that break out of the conception of love, which implies breaking away and a catastrophe..."

Teacher of the Year
Amazon's Kindle Edition $6.99

Teacher of the Year unfolds in an energetic mixture of epistle, stream-of-consciousness, narrative and meditations on the craft and alchemy of teaching. There is no other more authentic literary exploration into the agonies and ecstasies of teaching in the annals of American literature than this novella.


A Substantial but Incomplete Autobiography in Poems

By Matt Love

In perhaps the largest, most eclectic volume of previously unpublished poetry in the history of Pacific Northwest literature, Matt Love presents 148 poems written over a 30-year span.

As he writes in the introduction to A Substantial but Incomplete Autobiography in Poems, “I have organized this collection into six categories: Ocean, Love, My Life, Oregon Tavern Age, Homelessness, Probation. These poems serve as a substantial but incomplete autobiography.”

“Confessionals, odes, scatological doggerel, polemics, tankas, haiku, prose, psalms, requiems, observations, love letters, lamentations, lyrics, stream of consciousness, meditations, lists, riffs, a eulogy, a sermon, a commencement speech, found poetry, tributes, elegies. I threw it all into an ancient cement mixer and hand cranked that concrete beast while watching blue herons undulate overhead and drinking red wine as the husky snoozed in his dirt fort. The result: A Substantial but Incomplete Autobiography in Poems, something merging where Charles Bukowski, Richard Hugo, Mary Oliver and Liz Phair blend together.”

None of Love's poems were ever submitted to poetry journals, contests or magazines, making this collection a true renegade project of passion and readable to any denizen of a coastal dive bar.

A Substantial but Incomplete Autobiography in Poems

Print Edition

$21.99 + $4 Shipping


Amazon's Kindle Edition $7.99 (Free if you have Kindle Unlimited)

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