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June 13, 2017

Oregon Tavern Age: Hammond

Matt Love NSP Meditations, Oregon Coast_History, Oregon Tavern Age bars, dive bars, drinking, Fireball, Hammond, Oregon Coast, Oregon tavern age, OTA, South Jetty Bar, taverns

(From my forthcoming publication Oregon Tavern Age: Sketches from Coastal Drinking Life)

A man sat on a stool at the bar of the South Jetty Bar. He nursed a house whiskey on the rocks and talked to the female bartender in a low familiar voice. They exuded a diminutive Sid and Nancy vibe had Sid and Nancy listened to rap, lived in Hammond, a hamlet whose biggest employers were a log yard, fish processor and assisted living homes and had the distinction of being the camp firewood-for-sale capital of the United States.

It was a gray Saturday, almost noon. A college softball game played on one of the televisions. I walked up to the bar and waited my turn. I couldn’t see the man’s face to determine his OTA status. I could overhear him, though.

“We had a fifth of Fireball,” he said. “It went down the table and was gone in 20 minutes.”

It had happened the night before.

He turned my way and nibbled on a red pickled grotesquerie. I caught his visage: pre-OTA. But he was well on his merry way.

The bartender came over and I ordered an IPA from Lincoln City, or Lincoln Shitty or Tweakin’ City as the jaded locals call it. Lincoln City isn’t all that bad a town. Tom McCall used to have a second home there and drank scotch and sodas while watching the ocean. Moreover, some of the finest, most creative, most hard core Oregonians I’ve ever met hailed from Lincoln City.

An OTA man came up to the other man and sat down next to him. He said, “I thought you were dead.”

“I should be.”

They laughed. Then they launched into their respective should-be-dead-from-drinking stories. One day, one of the stories wouldn’t be a story. It would stick. Naturally there would be Fireball and road kill elk served at the wake.

An elderly woman came in and ordered a large coffee in a Spanish coffee mug. She sat at a table and watched a show called River Monsters, about a mythological river snake in the Nicaraguan jungle that was killing fishermen in their boats. A white adventurer was sent by a cable network to to slay the beast and sample the cane rum and grilled monkey. One can only hope the snake killed him, too, swallowed him whole.

I went to my table, a lacquered slab of wood that used to rest in the galley of a commercial fishing boat. I shuddered at the thought of hearing the drunk fishermen stories told across this noble table before the advent of fishermen binge watching Netflix on their phones.

The softball action picked up. There was a suicide squeeze and a collision at home plate. Safe! I sipped my beer and took a few notes on a Keno card.

I looked around and noticed the closed wishing well in the far corner where the gambling machines stood and tinkled their delights. I knew the well was closed because on a previous visit I asked and learned its sad story; too many men had pissed in it so the water got drained and the crippled children would just have to suffer.

My beer disappeared. I went up to the bar and ordered another one. I noticed a fifth of Chocolate Whipped (vodka) on the shelf. I got a hangover just noticing it.

I asked the bartender about the bottle. She told me no one had ordered a shot in the two years she’d worked the South Jetty.

There is a God and he doesn’t truck with a bar serving Chocolate Whipped, even to sinners and House Republicans.

The radio played bad dance pop music. A lefty ripped a liner over the right field fence. The river snake killed another fishermen. Nancy said goodbye to Sid in the doorway of the office. She kissed him while holding a fifth of J & B. They’d just run out and someone wanted a double.

(If you found this post enjoyable, thought provoking or enlightening, please consider supporting a writer at work by making a financial contribution to this blog or by purchasing an NSP book.)

June 12, 2017

What I Miss About Teaching

Matt Love Astoria, NSP Meditations, Writing Astoria, high school teaching, matt love, Oregon Coast, Oregon high school, Oregon teachers, teachers, teaching

Another school year comes to a close. One can almost hear Alice Cooper’s anthem playing in mono through a school’s PA after the last bell rings. That actually happened a couple of times during my teaching gigs. Some kids on student council with a bent for classic rock must have rigged it up.

I recall that song sounded pretty damn good reverberating through the the halls. I liked seeing all the papers flying in the air and the semi-smell of temporary rebellion in the air. Later, I would cull the shoes and clothing the students left behind in their lockers for the best suitable teenage togs for an older man to wear. I also scored dozens and dozens of unused notebooks and pens.

That glorious final day is no longer part of my world, the teaching world of the high school classroom. I still had work to do there, but, well, it’s going undone forever.

As I reflect upon my long, eclectic teaching career, particularly the run on the Oregon Coast, I think back to what I have sorely missed this past year and will never be able to recreate with adults in other teaching scenarios.

There was reading the unfiltered, unadorned, professor-free writing from writers who were ten times the writer I will ever be and trusted me with their inner-most thoughts. Somehow I got it out of them. I remember reading thousands of words at one sitting and not believing what I was reading, its raw quality, its searing originality. I miss reading those words. The final ones at Astoria High School and the Gray Alternative School were the best of my career. The talent in the youth here is otherworldly. It is borne of the absolute human misery this beautifully scenic town serves up, a juxtaposition I hope to explore in fiction one day.

Speaking of Astoria High School, it was my privilege to have a student who hit for The Quadruple Crown of sorts: best poem, best piece of creative nonfiction, best original song, best solo open mic performance of an original song. My deep regret is that I left this student in the lurch and I will never forgive myself for that. I only hope that the student pursues these talents to end of their natural born life and change lives with this monumental gift. I’ll be looking for it out there.

There were the field trips into rain, on trains, building forts, to Powell’s, to thrift stores, cemeteries, abandoned buildings, bridges, ports. God I miss those giddy moments on the move! I even miss those vexing moments when the malcontents skulked away to smoke dope or pet deer.

There was the laughter:

“Hey Mr Love, I have a story about the Column for you. Do you want to hear it?”

“Yes. Tell me.”

“I took a dump off the Column…and the railing was tricky.”

“Mr. Love, have you ever killed a man?”

“Mr. Love, do you like canned corn?”

There was feeding hungry students in the early morning hours during the Great Recession and practically every morning of my coastal teaching career.There was arriving there at 5 a.m. in the mornings and making cheap coffee and looking around the room and feeling I was doing important work, the most important work of my life, while Thelonious Monk played on cassette.

There were the great student editors of my own writing because I put it out there just like I asked them to.

There were the newspaper and literary reviews coming out, and students reading their work in print (!) and seeing their faces and inked fingers when they did.

There were the open mics, the open mics, 150 or so of them. What I probably miss the most is sitting in the front row, running sound, doing this and that, watching a young person come alive in an extraordinary new way when they performed for the first time, hands often shaking, voice cracking, chords butchered, starting over, always finishing (no one ever didn’t finish a gig) and then…coming back for more because they got the drug.

(If you found this post enjoyable, thought provoking or enlightening, please consider supporting a writer at work by making a financial contribution to this blog or by purchasing an NSP book.)

June 11, 2017

Beaverwood Birthday–A Birthday Poem

Matt Love NSP Meditations, Poetry Astoria, beavers, birthday, Oregon Coast, oregon poetry, poetry, writing

(One of my great friends in Astoria recently celebrated a birthday. I wrote this poem for her to mark the occasion.)

I gathered beaverwood for a birthday,

for a friend who keeps me in sauerkraut and Maigret,

a bundle of gnawed sticks

strewn across the beach,

washed down from the watersheds,

to stake up her tomato plants

that probably won’t make it in Astoria,

but we’ll stake them up nonetheless,

in our sluiced gray gardens,

because that’s us,

our lives right now,

staking up tomato plants in territories

where they aren’t supposed to grow.

 

We rejoice in all things beavers!

We gladly accept what they offer!

We won’t stake up our tomatoes

with cheap bamboo from China!

All hail Oregon beavers!

When they roll lily pads

and smoke them like fine cigars,

we get it. We want to join them.

 

And when we taste those tomatoes,

later in the hot Oregon summer,

probably in the rain,

we will toast our furry bucktoothed friends,

and nod our heads in wonder

at their persistence to start over,

after high water destroys their dams,

but never their instincts or spirits.

June 10, 2017

The Bonnie and Clyde Files 2

Matt Love Bonnie and Clyde Files, NSP Meditations Astoria, baptism, dog sanctuary, dogs, haikus, matt love, oregon, Oregon Coast, river, TV trays

It was a somewhat overcast morning and rain threatened. The rain just keeps falling and falling this spring. More, please. Keep the enemy forces at bay. It’s our only weapon in Oregon against the developers.

A canine cacophony from the Angels for Sara Sanctuary greeted me after I parked the car. My pockets were stuffed full of treats. Clyde is a fiend for treats. Bonnie just loves everything.

I unlocked the back gate and Bonnie and Clyde happily emerged. Treat time! I greeted them in my funny Bonnie and Clyde voices. Funny how a man’s voice changes when he greets dogs excited to see him. I can’t say I’ve done that with humans, with a certain few exceptions; they know who they are.

We romped through the high grass along the river. Across the channel, across the pasture, deforested hills loom in the distance, hills owned and clear cut by a spectacularly evil timber investment corporation with a secret headquarters in a clearcut in Seaside. (I’ve been inside.) Clearcuts regenerate, yes, and continue their plantation existence until the wiser heads in the watershed ultimately prevail.

I was clear cut. I am trying to regenerate. The more rain the quicker the regeneration. That is and is not a metaphor. Please friends, let Love reign O’er Me…as The Who sang…Only love / Can make it rain / The way the beach is kissed by the sea.

We found our spot where the bank slopes down to the river. I rigged up the writing studio in some mud—camp stool and TV tray. The tray is a metal relic, painted black with red roses on top, from a half century ago, from an era when families owned floor consoles and watched hour or half hour shows together in the living room, shows like Mannix or All in the Family, while eating TV dinners or tuna casseroles chased with fruit-encrusted side dishes of Jell-O. There was probably even conversations between family members. Oh the nostalgia of it all! The tray makes me smile. I am happy to give it new life on the river and provide material support for an Oregon writer trying to figure his new life out.

I whipped out the blue book and pen and jotted down some lines. Bonnie Clyde wandered off to prowl the river. Behind me, an ODFW fish trap counted unseen fish in the river. I wanted to know more about this study. Overhead, cirrus and cumulus clouds mixed together in ill-defined territories and produced various whites, blues, gray and even a streak of black here and there. A couple of small birds raced above the surface of the water. A branch floated by me. I heard rapids running. I saw wildflowers. Beavers were watching.

I looked around and thought: it’s a perpetual haiku here. I thought again: I want to live as a perpetual haiku, observe life that concretely, with the simple clarity that haiku summons in writers. I want my daily practice in all things to be that precise, too.

The water ran clear and shallow. I could see the bottom. I could walk across. It occurred to me that this was a perfect place for a frontier baptism and the singing of “Shall We Gather at the River.”

I remembered my baptism from the TV tray era. It certainly contrasted with this site for potential baptismal. I wore plastic coveralls and the tap water was heated lukewarm. There was a lighted baptismal and a microphone. The congregation sang “Shall We Gather at the River,” as I came up from underwater, a newly minted Christian.

Even then, I knew it would never stick.

June 9, 2017

Lost and Found 12 / Lists

Matt Love Lost and Found, NSP Meditations corduroy, lost and found

List of what needs to be lost:

Fear of possible confrontations

Doubts about my writing ability

Astoria. Astoria. Astoria

Insomnia

Windowless rooms where guidance is supposed to occur

Other people’s weird agendas for me

Being clever in moments that require dullness

The past, but not memory of it

 

List of what needs to be found:

Dog

Literary confidante

Creative collaborator

Job (47 applications and still trying)

Stamina (not the physical kind)

New writing styles for new problems

New Oregon beer to champion

New OTA joint

New publishing mediums to disseminate my writing

Tennis backboard

More coyote sightings

Macrame décor items

A gig

People who will give me a chance

The architecture of how to write the book I am living

The following books in old paperback editions: Moby Dick, Catch-22, The Scarlet Letter, Heart of Darkness, The Trial, Notes From the Underground, The Handmaid’s Tale

New retail outlets for corduroy pants

More friends who gift me Kenny Rogers’ brand corduroy jackets with suede patches

New reasons to wear corduroy jackets because teaching in them is over

People who follow through

Continued belief that I will experience surprise good fortune

New coastal locale to start over

Edible plants

Someone who can run a meeting

New beaches without memories of dearly departed dogs

30-40 year old RV in decent shape for sale

Literary agent

Obscure Bob Seger tracks

Reconnect to the first Pretenders album, which is gone

Another view from the top of Saddle Mountain

Partner/sidekick to investigate unsolved Columbia River Watershed murders and disappearances

Three-dimensional topographic map of the PNW

Total anonymity

June 8, 2017

On My Dream about Beavers and…Diana Ross

Matt Love NSP Meditations beavers, Diana Ross, dreams

With the notable exception of Joseph from the Old Testament, I have never enjoyed reading accounts of characters’ dreams in fiction. I always skip over them. I can’t be certain, but I think it was the novelist Walker Percy who said something to the effect: “You know how typically boring it is when someone tries telling you their dream in person. Reading it in fiction is even more boring.” I agree.

Dream sequences in television shows and movies are the same for me. They always seem like filler material or pretentious attempts at artistry.

In nonfiction writing, histories, memoirs, biographies, reportage and such stuff, I do derive value in reading about the dreams of the people being written about. Who wouldn’t want to learn what President Abraham Lincoln dreamed about on the eve of the Civil War as opposed to the dream of an invented serial killer as he considers his next victim?

In my own writing, I think I’ve mentioned my dreams once or twice, most prominently in the rain book. Ever since Sonny the husky died last June, she has revisited me in a series of fantastic dreams where she was always young and running wild. I have attempted interpreting them and met with some success, I think.

Two nights ago, I had the strangest, most vivid, wholly unprecedented dream of my life. It was so intense and bizarre that I woke up after its conclusion, arose from the bed, found a notebook and pen, and wrote down as many images as I could recall. I haven’t done that sort of thing in 10-15 years. Because I am living through such extraordinarily unknown and catastrophic times in my personal life, I have opened my mind to forms of communication from as many different dimensions that hitherto didn’t warrant a lick of my attention.

Below is the dream. I welcome any assistance interpreting it. At the end, I will comment briefly on some of the images, providing a little context…or none at all. I did zero internet research on the dream and have no plans to do so.

A medium-sized beaver is swimming fast just under the surface of the water, gliding, in a creek. He or she swims over another beaver, smaller, ingests the smaller beaver with his stomach, and keeps swimming.

I’m somewhere in the creek watching this. Then I’m swimming in the creek as myself, swiftly. Second later, I begin swimming as a beaver, not the aforementioned one, but a separate creature. I have become a beaver but am conscious that I am also a human and I am gliding fast and somewhat in circles. I am highly aware of the movements of my gliding. The color green is present. The water ripples.

Panic grips the beavers in the creek, myself included. There is a rumor that Diana Ross is somewhere nearby. She is not in the creek. The beavers want to see her. I want to see her. It is not The Supremes-era Diana Ross; it is Diana Ross from the cover of her 1980’s album Diana, the one with the black and white photograph of her (pictured here). In the photo her hair is wet. The dream ends.

Dream notes:

I have been collecting beaverwood lately. I have pieces displayed all around me in my writing studio. I recently read a history of the beaver in North America. I once owned Diana and had a poster of that album cover hanging in my room. I had a crush on her. That album, produced by Niles Rodgers and Bernard Edwards of Chic fame, was a monster success. I remember the big hit single from it, “I’m Coming Out.”

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Teacher of the Year: A Novella

By Matt Love

A reluctant teacher becomes advisor to a moribund high school newspaper. He meets the new editor, a dynamic 18-year-old senior, and together they begin a unique creative collaboration that revives the publication and slowly slides into gray areas. As the poet Octavio Paz wrote, “To realize itself, love must violate the rules of our world...committed by two stars that break out of the conception of love, which implies breaking away and a catastrophe..."

Teacher of the Year
Amazon's Kindle Edition $6.99

Teacher of the Year unfolds in an energetic mixture of epistle, stream-of-consciousness, narrative and meditations on the craft and alchemy of teaching. There is no other more authentic literary exploration into the agonies and ecstasies of teaching in the annals of American literature than this novella.


A Substantial but Incomplete Autobiography in Poems

By Matt Love

In perhaps the largest, most eclectic volume of previously unpublished poetry in the history of Pacific Northwest literature, Matt Love presents 148 poems written over a 30-year span.

As he writes in the introduction to A Substantial but Incomplete Autobiography in Poems, “I have organized this collection into six categories: Ocean, Love, My Life, Oregon Tavern Age, Homelessness, Probation. These poems serve as a substantial but incomplete autobiography.”

“Confessionals, odes, scatological doggerel, polemics, tankas, haiku, prose, psalms, requiems, observations, love letters, lamentations, lyrics, stream of consciousness, meditations, lists, riffs, a eulogy, a sermon, a commencement speech, found poetry, tributes, elegies. I threw it all into an ancient cement mixer and hand cranked that concrete beast while watching blue herons undulate overhead and drinking red wine as the husky snoozed in his dirt fort. The result: A Substantial but Incomplete Autobiography in Poems, something merging where Charles Bukowski, Richard Hugo, Mary Oliver and Liz Phair blend together.”

None of Love's poems were ever submitted to poetry journals, contests or magazines, making this collection a true renegade project of passion and readable to any denizen of a coastal dive bar.

Amazon's Kindle Edition $7.99 (Free if you have Kindle Unlimited)

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